Perez Melero Silkscreen, OP Art, Barro


Unavailable
Artist: Perez Melero, Spanish/Venezuelan
Title: Barro
Year: 1992
Medium: Silkscreen, signed and numbered in pencil
Edition: 45/80
Paper Size: 39" x 27.5"
Born in Spain, PEREZ MELERO began his career in Venezuela where he lived from the late 1950's until the early 1980's. Maintaining workshops in Caracas and New York, he is an artist who exhibits his work internationally. He is in public collections including the Spanish Museum of Contemporary Art, CANTV, Fundarte, the White House, the American Institute of Architects, and the Women in Military Service to America Memorial at Arlington National Cemetery.
ARTIST STATEMENT
My 3-dimensional constructions are built mostly from wood, paper, canvas and acrylic paint. Their ideas evolves from an organic and intuitive process. The final work is a combination of my creative vision and a highly organized process employing disciplines of geometry and applied design.
Viewers should interact physically with my constructions. They need to walk around them and view them from different perspectives. Up close one can see the detailed and intricate methods of their construction. From further back, one can appreciate their total effect.
Color and light and how they interact are central to my work. Color is painted on pieces of wood attached to a high-contrast geometric background. Light penetrates between them, reflecting color from one to another and on the background. These reflected colors seem to mix in the air and produce an impression of others. As light sources change angle or intensity, and as the viewer moves around the work, new colors can be perceived even though they aren't really there. The interaction between color and light has produced an illusion. This relationship between color and light, in part, defines my work.
ONE MAN EXHIBITIONS (partial list)
2004
Luz y Color, Consulate of the Bolivarian Republic of Venezuela, New York
Et Situ (1) Studio 529, New York; Et Situ (2)
Pricewaterhouse Coopers Gallery, Cardiff
2003
Tommy Hilfiger Showroom, New York
2002
New York Institute of Technology, New York
2001
Eugenia Cucalon Gallery, New York
2000
Consulate of the Bolivarian Republic of Venezuela, New York
New York Institute of Technology, New York
1999
Women In Military Service to America Memorial, Arlington, VA
New York Institute of Technology, New York
1998
Union League Club, New York
1997
American Institute of Architects, Washington D.C.
1996
Union League Club, New York
1993
Ambassador Galleries, New York
1992
American Association of Science & Technology, Washington D.C.
1991
Greenwell Goetz Architects, Washington D.C.
1990
Air Transport Association of America, Washington D.C.
1989
Galleria Morantes, Alicante
1988
Corner Gallery, World Trade Center, New York
1987
Seton Hall University, South Orange New Jersey
1985
Museum of Contemporary Hispanic Art (MOCHA), New York
1982
Venezuelan Tourist and Information Center, New York
1979
Museum of Contemporary Art, Bogota; Fundarte, Bogota
1978
Galeria Sorolla, Maracaibo; Teatro de la Opera, Maracay
1977
Museum of Contemporary Art, Bogota; Asociacion de Periodista, San Crisobal;
CANTV, Caracas; Museo del Hipodromo de la Ricconada, Caracas
1976
Centro Bellas Artes, Maracaibo; Sala Ocre, Caracas; Galeria CADAFE, Caracas
1975
Museum of Zea, Medellin; Galeria El Parque, Medellin; Galeria Plaza Bolivar, Caracas
1974
Universidad Central de Vzla.; Galerias Altimira, Fedecamaras, Fundacomun, Ateneo de Caracas
1973
Colegio de Ingenieros, Puerto Ordaz y Ciudad Bolivar
1972
Club Caronoco, Puerto Ordaz
GROUP SHOWS (partial list)
2003
NoHo Gallery, New York
2000
Yeshiva University School of Law, New York
1994
Albright-Knox Museum, Buffalo
1993
Century Club, New York; Ambassador Galleries, New York
1992
Ambassador Galleries, New York; Abner Gallery, New York
1986
Benjamin Cardozo School of Law, New York
1985
Oller Campeche Gallery, New York
1984
Biennial of Printmaking, Cayman Gallery, New York; Art Students League, New York;
Columbia University Teachers College, New York;
1983
Tossan Tossan Gallery, New York
1982
Biennial of Printmaking, San Juan; First Festival of SoHo, New York; Cayman Gallery, New York
1980
Galeria Morantes, Alicante; Fundarte, Bogota
1976
Museum of Contemporary Art, Bogota; Galeria Andre Bello, Caracas
1975
Spanish Museum of Contemporary Art, Madrid
1974
Galeria Quinta Santander, Cucuta
1973
Arturo Michelena National Hall of Painting, Caracas; Galeria Plaza Central, Caracas
1972
Alehandro Otero Hall, Ciudad Bolivar
COLLECTIONS (partial list)
Spanish Musium of Contemporary Art, Madrid
Museum of Contemporary Art, Bogota; Museum of Zea, Medellin
CANTV, Caracas; Fundarte, Caracas; Iberia Airlines, Caracas; Avensa, New York;
Rafael Rojas, Venro, New York; Fundarte, Caracas; Braunstein & Associates, Caracas
Theodore Vittoria, Vittoria & Purdy, LLP, New York; Richard Travers, Travers-O'Keefe, New York
Werner Haase, Madison Performance Group, New York Peter Lehrer, Lehrer, McGovern & Bovis, New York; The Mondrian Hotel, Los Angeles
Air Transport Association of America, Washington D.C; The White House, Washington D.C.
COMMISSIONS (partial list)
American Institute of Architects, Washington D.C.
Women In Military Service for America Memorial, Arlington National Cemetery, Arlington, VA
Air Transport Association of America, Washington D.C.
Polygram Records, New York
Centro Altamira parking tower, Caracas
Title: Barro
Year: 1992
Medium: Silkscreen, signed and numbered in pencil
Edition: 45/80
Paper Size: 39" x 27.5"
Born in Spain, PEREZ MELERO began his career in Venezuela where he lived from the late 1950's until the early 1980's. Maintaining workshops in Caracas and New York, he is an artist who exhibits his work internationally. He is in public collections including the Spanish Museum of Contemporary Art, CANTV, Fundarte, the White House, the American Institute of Architects, and the Women in Military Service to America Memorial at Arlington National Cemetery.
ARTIST STATEMENT
My 3-dimensional constructions are built mostly from wood, paper, canvas and acrylic paint. Their ideas evolves from an organic and intuitive process. The final work is a combination of my creative vision and a highly organized process employing disciplines of geometry and applied design.
Viewers should interact physically with my constructions. They need to walk around them and view them from different perspectives. Up close one can see the detailed and intricate methods of their construction. From further back, one can appreciate their total effect.
Color and light and how they interact are central to my work. Color is painted on pieces of wood attached to a high-contrast geometric background. Light penetrates between them, reflecting color from one to another and on the background. These reflected colors seem to mix in the air and produce an impression of others. As light sources change angle or intensity, and as the viewer moves around the work, new colors can be perceived even though they aren't really there. The interaction between color and light has produced an illusion. This relationship between color and light, in part, defines my work.
ONE MAN EXHIBITIONS (partial list)
2004
Luz y Color, Consulate of the Bolivarian Republic of Venezuela, New York
Et Situ (1) Studio 529, New York; Et Situ (2)
Pricewaterhouse Coopers Gallery, Cardiff
2003
Tommy Hilfiger Showroom, New York
2002
New York Institute of Technology, New York
2001
Eugenia Cucalon Gallery, New York
2000
Consulate of the Bolivarian Republic of Venezuela, New York
New York Institute of Technology, New York
1999
Women In Military Service to America Memorial, Arlington, VA
New York Institute of Technology, New York
1998
Union League Club, New York
1997
American Institute of Architects, Washington D.C.
1996
Union League Club, New York
1993
Ambassador Galleries, New York
1992
American Association of Science & Technology, Washington D.C.
1991
Greenwell Goetz Architects, Washington D.C.
1990
Air Transport Association of America, Washington D.C.
1989
Galleria Morantes, Alicante
1988
Corner Gallery, World Trade Center, New York
1987
Seton Hall University, South Orange New Jersey
1985
Museum of Contemporary Hispanic Art (MOCHA), New York
1982
Venezuelan Tourist and Information Center, New York
1979
Museum of Contemporary Art, Bogota; Fundarte, Bogota
1978
Galeria Sorolla, Maracaibo; Teatro de la Opera, Maracay
1977
Museum of Contemporary Art, Bogota; Asociacion de Periodista, San Crisobal;
CANTV, Caracas; Museo del Hipodromo de la Ricconada, Caracas
1976
Centro Bellas Artes, Maracaibo; Sala Ocre, Caracas; Galeria CADAFE, Caracas
1975
Museum of Zea, Medellin; Galeria El Parque, Medellin; Galeria Plaza Bolivar, Caracas
1974
Universidad Central de Vzla.; Galerias Altimira, Fedecamaras, Fundacomun, Ateneo de Caracas
1973
Colegio de Ingenieros, Puerto Ordaz y Ciudad Bolivar
1972
Club Caronoco, Puerto Ordaz
GROUP SHOWS (partial list)
2003
NoHo Gallery, New York
2000
Yeshiva University School of Law, New York
1994
Albright-Knox Museum, Buffalo
1993
Century Club, New York; Ambassador Galleries, New York
1992
Ambassador Galleries, New York; Abner Gallery, New York
1986
Benjamin Cardozo School of Law, New York
1985
Oller Campeche Gallery, New York
1984
Biennial of Printmaking, Cayman Gallery, New York; Art Students League, New York;
Columbia University Teachers College, New York;
1983
Tossan Tossan Gallery, New York
1982
Biennial of Printmaking, San Juan; First Festival of SoHo, New York; Cayman Gallery, New York
1980
Galeria Morantes, Alicante; Fundarte, Bogota
1976
Museum of Contemporary Art, Bogota; Galeria Andre Bello, Caracas
1975
Spanish Museum of Contemporary Art, Madrid
1974
Galeria Quinta Santander, Cucuta
1973
Arturo Michelena National Hall of Painting, Caracas; Galeria Plaza Central, Caracas
1972
Alehandro Otero Hall, Ciudad Bolivar
COLLECTIONS (partial list)
Spanish Musium of Contemporary Art, Madrid
Museum of Contemporary Art, Bogota; Museum of Zea, Medellin
CANTV, Caracas; Fundarte, Caracas; Iberia Airlines, Caracas; Avensa, New York;
Rafael Rojas, Venro, New York; Fundarte, Caracas; Braunstein & Associates, Caracas
Theodore Vittoria, Vittoria & Purdy, LLP, New York; Richard Travers, Travers-O'Keefe, New York
Werner Haase, Madison Performance Group, New York Peter Lehrer, Lehrer, McGovern & Bovis, New York; The Mondrian Hotel, Los Angeles
Air Transport Association of America, Washington D.C; The White House, Washington D.C.
COMMISSIONS (partial list)
American Institute of Architects, Washington D.C.
Women In Military Service for America Memorial, Arlington National Cemetery, Arlington, VA
Air Transport Association of America, Washington D.C.
Polygram Records, New York
Centro Altamira parking tower, Caracas
Rogallery
Long Island, New York
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